You should disabuse any notion that Citizenfour is just a film.
It is more than that. It is
impossible to divorce the global sociopolitical impact of the events this
documentary depicts and the impact of the film itself, because in many respects
they are one and the same. Ten months
ago, when this film was first screened, journalists reported on the film’s
final moments as shocking information was revealed that had not been divulged
prior to that film’s release. This mere
“movie” is a big fucking deal.
If you are unaware of the controversy surrounding the leaks
provided by NSA agent Edward Snowden, you have either been living under a rock
and off the grid, or you have been willfully and blissfully ignorant of world
events in the past two years. Snowden is
responsible for exposing NSA programs that tracked the communications
activities of millions of people worldwide, including American citizens on
American soil. Documentary filmmaker
Laura Poitras was among the first that Snowden (at the time using the alias “Citizenfour”)
contacted with leads as to the immensity of the government’s activities, and so
Poitras found herself an integral part of a massive historical event.
Such access is any documentarian’s wet dream, and yet, much
like Snowden himself, Poitras does a commendable job of keeping herself out of
the limelight as much as possible. As
Snowden himself says many times across multiple interviews, the focus should
not be upon him or his personality, but should be on the programs he has
exposed. Poitras only portrays her
communications with Snowden as are necessary to tell his story, and that level
of restraint in light of such world-changing circumstances is entirely
commendable.
Despite that, though, Poitras missteps in her insistence on
focusing on Snowden as a person, rather than just as a vehicle to expose
government injustice. For sure, she
spends plenty of time on the information that Snowden leaked to the world and
on the justified paranoias that Snowden feels in his insistence on
disconnecting phones and hiding computer monitors from potential prying
eyes. However, despite Snowden’s
insistence to the contrary, she spends time on the man behind the information,
showing the mundanities of his existence in a Hong Kong hotel room and
providing information on his personal life.
It is minimal to be sure, and it does admittedly add a human element to
what is otherwise a macroscale story, but it also feels disingenuous to the
intent Snowden had in minimizing his celebrity to the greatest degree possible.
That said, Citizenfour
should be on everyone’s required viewing list.
If you haven’t been following the news in the past two years, this film
simultaneously acts as a primer and a foreshadowing of things to come. It is almost a year old now, but it is still
relevant at the time of its home video release and likely will be for many
years to come as the true extent of the NSA’s invasions into our private lives
come more into focus. Watch this
film. You will never look at how you
communicate the same way ever again.
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