Amy is not a story
we haven’t heard before, and I don’t mean that in the sense that Amy
Winehouse’s rise in fame and decline in stability is incredibly
well-documented. I mean this in the
sense that we have seen artists burn out on their celebrity before, and
Winehouse is an example of that tragedy in the extreme, where the death of a
young artist forces us to step back and look at the psychological trauma that
celebrity can inflict upon a person. Amy is a testament to the life of a
talented young woman who fell victim to her own fame, and though it isn’t the
best documentary of the year, I have a hard time seeing anything else bringing
home the prize at the Oscars this year.
Which isn’t to say that Amy
isn’t a good film; it very much is, taking material that would have made
excellent fodder in a made-for-TV exploitation special and elevating it to a
touching tribute to the impact Winehouse made on the musical community. Director Asif Kapadia clearly saw the dangers
fraught in presenting this material as respectfully as possible, and therefore
used a few tricks to make the story more resonant. First, and most notably, the film has almost
no face-cam interviews. The benefit of
making a film about Amy Winehouse is that there is a plethora of home movie
footage and archived news reports to present a coherent narrative on
Winehouse’s life, even without the use of narration.
However, the film does use narration throughout, but in the
form of audio recordings with Winehouse’s friends, producers, and fellow
artists. In lieu of watching these
people cry for their lost friend, we get to see Winehouse through their eyes,
with their remembrances matched to potent images on-screen that depict more
than the drugged-out caricature the popular media presented Winehouse as in her
later years. According to Amy, Winehouse was a goofy, everyday
woman with a talented voice that led her to be exploited and for her on-going
struggles with substance abuse and bulimia to go largely untreated. The film isn’t so much interested in laying blame
on any particular person (though Winehouse’s promoter and her father do not
come out looking very good), but it does paint the picture that the compounded
struggles of her celebrity status are what pushed Winehouse to her demise.
The Academy, mostly comprised of film celebrities, will
likely give Amy the Oscar win for
Best Documentary in a landslide, as Hollywood loves stories of tragic youth
sacrificed upon the altar of celebrity. Amy is quite a good film, particularly
for how lewdly this subject matter could have been presented, but it isn’t
quite so novel a documentary as, say, Going
Clear. As with any documentary,
though, this may just be attributed to my relative ambivalence to the subject
matter. If the life of Amy Winehouse is
of any interest to you, this might be one to give a shot.
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