Looking at the history of this film’s production, it really
doesn’t sound like it should have turned out to be any good. Disney had just acquired the rights to
Marvel, but 20th Century Fox still retained the rights to the X-Men
franchise. In order to prevent the X-Men
rights from reverting to Disney, Fox needed to continue production of films
using the license, and they needed to do it fast. The solution was X-Men: First Class, a film that starred nobody from the previous
films (save for a Wolverine cameo), was filmed on a minimal budget, and was
rushed to theaters on a much shorter production cycle than is normal for a
summer superhero blockbuster. But 20th
Century Fox performed a small miracle here.
Not only did they turn out a decent film, they turned out a decent film
that was true to the spirit of the X-Men and succeeds at being much more than
an ass-covering cash-in. The film is far
from perfect, but it certainly is the best installment in the series since X2.
What really pulls this film together are the lead
performances. The script is at times a
bit schlocky, but James McAvoy (Xavier), Michael Fassbender (Magneto), Jennifer
Lawrence (Mystique), and Kevin Bacon (Sebastian Shaw) all perform
spectacularly, and their talent really does a great job of communicating the
struggle of oppressed mutants in a world that doesn’t know how to deal with
their existence. The differing ways in
which these characters grow and change throughout the course of the
story to eventually become the people we know from the previous trilogy is
really interesting to watch, and I think this was a really smart direction to
take the X-Men franchise. Setting the
film in the Cold War was a small stroke of genius, not only for providing a
prequel, but also for showing prejudice of human beings against mutants as
being largely symptomatic of the mistrust of the unknown that that era
naturally engendered. And going back to
the characters, there’s a lot that can be done in future installments by going
back to the roots of the Xavier/Magneto dynamic, who are arguably the most
interesting characters in the franchise based solely on that relationship. This film sets the stage for that quite well,
and it makes me excited to see what the upcoming Days of Future Past adds to this timeline.
I also like that the film doesn’t feel overproduced, even
though I recognize that this is a symptom of the rushed production time. The special effects aren’t flashy or even up
to what were modern CG standards of the time, but most of the time they get the job done. I like that the film recognizes its
limitations and doesn’t try to be an effects-driven spectacle, yet instead
pushes the focus on the interactions of the main characters. It uses a lot of physical effects that are
not only effective, but evocative of the special effects in films of First Class’s setting. That’s smart
filmmaking, and I’d like to see more smaller-scale productions for sci-fi, fantasy, and superhero films so that not so much attention is placed on
the special effects, but instead on the direction and character
performances. Many a film has been the
victim of over-production, but thankfully First
Class is not one of them.
But as I said earlier, this isn’t a perfect film, and the
film’s weaknesses are actually made all the more apparent by the ways the film
succeeds. Some of the film’s effects
aren’t particularly well done, most notably the make-up job done with Beast and
the CG version of Emma Frost. They
look painfully fake, and personally it pulled me right out of the
experience. And speaking of the side
characters, they are all immediately forgettable. Sebastian Shaw’s henchmen barely have lines,
and January Jones as Emma Frost feels hollow and phoned in. Xavier’s team of teenage mutants don’t fare
much better, serving mostly as blank slates for Xavier to develop his teaching
skills on. While that serves the story
well enough, it would have been nice for the kids to have a bit more
three-dimensional personalities.
X-Men: First Class is
a good film, and though it isn’t perfect, it makes me hopeful for the future of
the X-Men franchise. In the wake of The Avengers, studios that still retain
superhero rights are going to try to emulate the multi-film epic storytelling
that makes the Marvel Cinematic Universe so popular. If any franchise has the potential to see
that through, I think its X-Men. Let’s
see how the upcoming sequel fares.
Look for my review of X-Men:
Days of Future Past on the weekend of its release. Excited for the film? Want to throw in your two cents on First Class? Leave a comment below.
cegeacpa Troy Boussad https://wakelet.com/wake/9xVO3Iw8ka2Goa8e3Pl7u
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