To use a phrase that is quickly beginning to feel like a
cliché on this blog, I really wanted to like A Girl Walks Home Alone At Night.
It has a lot of themes and motifs that I’m very much on board with,
providing a uniquely feminist look at sexism in Iran. Unfortunately, though, this film feels like a
lot of meat without many bones to support it, as the characters and plot are
severely lacking in substance.
A vampire known only as The Girl wanders the streets of Bad
City, coming across men who abuse women and choosing them as her sustinative
victims. In a scene where she warns a
young boy to be good lest she one day choose him as a food source, she steals
his skateboard and glides through the night, her chador flowing behind her like
she is some sort of Iranian Batwoman.
Moments like this are where the film is most enjoyable, as The Girl’s
exploits fly in the face of the patriarchal sexism that permeates Iranian
politics and societal structures.
Unfortunately, the film’s plot is much more lacking, as a
romance slowly, slowly, slowly
develops between The Girl and Arash, a decent enough guy who plays by the rules
of Bad City’s underground drug scene more out of a sense of duty to his father
than a genuine enjoyment of the night life.
Arash seems to symbolize the potential that men have to be good people
in Iranian society, and Arash’s presence makes The Girl more discriminating in
who she chooses to kill, but his overlong existence in the film is not
justified by that thematic point.
This is because the film ultimately comes across as
boring. Scenes drag on without dialogue
for obnoxious periods and this makes some of the blatant indie sensibilities
all the more transparent. Shot in black
and white with superfluous scenes meant only to hammer in redundant social
commentary, the film doesn’t aspire to be much more than a hollow political
statement. Yes, it is fantastic that an
Iranian woman (Ana Lily Amirpour) has managed to make a Persian language film
that directly attacks the social hierarchy of Iranian society, but the film
should not get a free pass if it fails to be anything more than arthouse
satire.
A Girl Walks Home
Alone At Night functions best as a political statement by its very
existence, but would have made a much better film as a short subject rather
than a feature. As it stands, the film
drags on for what seems to be an interminable eternity, only to make some very
obvious and blunt points that educated audiences should already be aware of. Know that it exists. Be happy that it’s able to exist. Don’t waste your time viewing its existence.
What films do you think have made the best political
statements? Leave your thoughts in the
comments below.
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