Between The Babadook
and It Follows, it seems that the
horror genre may be making a bit of a resurgence after decades of being artistically
destitute. The Babadook functioned well as a horror film because it took great
care to show as little of its monster as possible so that the moments when the
monster did appear were all the more terrifying. It
Follows is equally great for the polar opposite reason; its absurdly simple
premise turns every scene into one of extreme paranoia, as the film’s monster
could be anyone at any time.
The story of It
Follows is the stuff that urban legends are made of. A monster will slowly walk toward you, intent
on murdering you, but always at a walking pace.
You are the only one who can see this monster, and it can look like
anyone, even someone you know. The only
way to become its victim is to have sex with the person the monster is
currently chasing, and the only way to make the monster stop following you is
to have sex with someone else. However,
if the person you had sex with dies, the monster will start pursuing you again.
This ingenious set-up allows for some of the scariest
moments of recent horror cinema, whether it is noticing a speck on the horizon
moving toward the camera, a familiar face moving in an unsettling way, or a
panning camera moving over complete strangers, emphasizing how every single
person is a potential danger until they do something uncharacteristic of the
monster’s behavior. The film terrifies
by overexposing its audience to stimuli, but never in a way that feels cheap or
hackneyed. In other words, it instills a
state of mind in the audience and then conditions us to scare ourselves rather
than make the actual monster ever present.
And yet, when you finally do notice “it” amongst the crowd, the desire
to flee its ominous advance justifies that perpetual suspicion.
And even though the film functions perfectly well as a
straight monster story, it also serves as an equally effective coming of age
piece. The film’s teenage cast talk and
act like real teenagers, often without affect and with a closeness that has yet
to be broken up by the responsibilities of adulthood. Their flight from the pursuing monster forces
them out of the cloistered environment of their idyllic suburb community and
makes them confront the harsh reality of the real world, symbolized by the
poor, run-down portions of Detroit. They
struggle to find adulthood because they must, and the transition may well prove
to be fatal as their sexual awakening may lead to their very demise.
This may sound like a heavy-handed STD metaphor, but I
assure you that the film has no intention of turning its audience away from
sex. If anything, the film only wants to
assure us that growing up is scary and dangerous, but also not impossible or
unmanageable. And somehow, embedded in
that tale of burgeoning adulthood is a horrifying monster story that will leave
you scanning the faces and gaits of everyone you see long after you leave the
theater. Go see It Follows. You won’t regret
it.
I was pulled to the theater to see this film, and my
skepticism towards the horror genre is somewhat mollified. Have any recent horror recommendations? Let me know in the comments below.
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